Adrian recently linked to Swing to Bop, a weblog about developing jazz guitar technique. I’ll be following this with some interest, because I still just do not sound jazzy enough for my tastes. I think what Derek once described as “wallpaper be-bop” is something that I’d like to be able to do, then hopefully move past it into something more interesting. Anyway, I quite liked this video dealing with improvising over major chords; flat 9s and sharp 5s are two notes that I rarely throw in (unless I switch with H-bomb subtlety to a half-whole diminished scale or the harmonic minor; my knowledge of scales is well beyond what I can do tastefully with them), so it has been fun trying to use them a bit more. I also like the little legato 4th-minor 3rd-major 3rd move, and it’s yet another example of someone avoiding the fourth. I think I’ve been using the minor pentatonic for so long now that fourths just don’t sound off to me; my new playing mantra is “stay the fuck off the fourth”. It’s so tempting a note, though… right there, nestled between the third and the fifth… what harm can it do?
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Comments (3 Responses)
“wallpaper be-bop” - I’ll gladly take credit, but I can’t remember saying it. I remember talking about the concept, though…
Ski-bi-bee DE dah bee bah doo dah jay eh zee zee JAZZ. I don’t know, there just seems to be some particular scale or arpeggio that I’m just not getting at the moment. Sure it’s not the most interesting thing to play, but it annoys me that I can’t get that sound.
Transcribe some Charlie Parker solos! One interesting thing he does is to circle around a target note chromatically. E.g. you might over a C7 chord play Db-B-C-Bb-Ab-F#-G-E. All of my bop licks come from “Donna Lee”.
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